Goblin Band

Goblin Band formed organically from intimate sessions run at Hobgoblin Music, the instrument shop in Central London, and organised by a group of queer, folk-obsessive friends and shop employees. These sessions have given rise to a six- piece band which, though firmly rooted in the traditional music of the British Isles, draws widely on medieval and early music, as well as the folk musical traditions from abroad. The sound concocted employs all manner of strings, squeezeboxes, hurdy gurdy, flutes, horns, bells and whistles. The Goblins interpret folk song in relation to the political upheavals of past and present and strive to make a space for new audiences to experience traditional music in a manner which is both riotously joyful and deeply sincere.

Lauded by such cultural icons as Martin Carthy and Aardman Animation's Peter Lord, Goblin Band's debut EP Come Slack Your Horse! sees the collective revitalising songs dating back as early as the mid-17th century. While some tracks – such as instrumental opener Black Nag or Widecombe Fair – express a boundless, escapist joy, and the band’s deeply infectious enthusiasm for traditional music, many tracks bear startling parallels with the travails of contemporary society and the realities of the contemporary queer experience. The Prickle Holly Bush, and its story of one condemned for execution while one family member after another refuses to offer salvation, becomes, in Goblin Band’s hands, a metaphor for the rejection and estrangement often experienced among the queer community. While there’s this strong feeling of recontextualising old songs for the current political zeitgeist, there’s also a pervading sense with Goblin Band of artists reclaiming their personal heritage via the medium of folk music.